30/11/2009

Flying False Colors / Marsèlleria

Directly from Chelsea Art Museum and Biennal of Visual Art Performance, Ny, Marsèlleria launches Carlo Zanni personal exhibition “Flying False Colors” on December 1st, 6pm.
Zanni presents a multiplatform project that unravels and shows the plot between oil consumption, politcs and ecological problems of thirty Nations observed by Joint Oil Data Initiative, an institution founded in 2001 to count the quantity of oil demanded every month from major world consumers.

In the quiet of Marsèlleria Permanent Exhibition, the whoosh of a flag connected to a computer and a compressor is the disturbing visual and sound transposition of the continuous waste of world oil resources.
Flying False Colors (The Sixth Day) freely takes inspiration from Sydney Pollack’s “Three Days of the Condor” (1975), one of the first movies suggesting the link between US secret military operations and control over oil production in the Middle East.
Flag design directly comes from Ecology Flag (1969), which will gradually change his color during the exhibition, as an example of “flying false colors”, the act of sailing under a flag to deceive the enemy.

Text by Elisa Lusso – Image from Carlo Zanni, Flying False Colors (The Sixth Day), 2009 – Installation views and details from Chelsea Art Museum’s project room, New York, Oct 2009 – Photo by Fedele Spadafora. Courtesy of Collection Angela and Massimo Lauro, Il Giardino Dei Lauri

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29/11/2009

Occulto

Rationalism is nothing but a joke. I swear! Rationalism can rule the world but cannot rule Occulto

Is a semiannual magazine with an eye on extraordinary facts and mysterious practices. It is conceived and published by Irene Lumpa Rossi & Alice Cannava.

Occulto can be found in Milan by Kaleidoscope and if you go to Berlin by Motto. It ‘easy.

By Enrico Grigoletti | image by Alice Cannava

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27/11/2009

Philipp Fürhofer – Life Is Out There

Not Fair Gallery presents “Life is out there”, the first solo show in Italy for Philipp Fürhofer, opening Saturday 28th of November, ongoing until January 30th. The cubical space of the gallery will host a site-specific installation and four acrylic glass objects.
Fürhofer practice is painting light boxes, characterized by the use of a material called “spy mirror foil” through which the spectator, depending on the intensity of light, can see himself reflected in the painting or see inside the painting itself. His research on materials and optical effects also derive from his experience as a stage-designer in avant-garde theatres.
Philipp Fürhofer will also meet some students form Accademia di Belle Arti di Brera on Friday 27th of Novembre at 11 am.

By Elisa Lusso | images courtesy of Not Fair Gallery

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25/11/2009

Chérie’s Tree House Warm Up

Chérie’s Tree House is…

Starting from the metaphor of a tree house: a real or imaginary place in our childhood. It was a special location, that we used to store our ideas, fantasies and beloved things, a place we shared with friends. It was only ours in a time when the rest of our life was supervised by others. By growing up we maybe forgot or left this place.

By creating our Chérie’s Tree House, we reopen the beloved house, to provide a platform for creations of emerging artists, special things, a place to feel good, to discover new objects, a location packed with design and fashion, live performances, home-made food and drinks, dj sets and live music. Everything made with love.

How did the idea of Chérie’s Tree House start?

(Chiara) In April 2007 I started my project Chérie’s Flakes, a brand of hand-made bikinis. I was searching for a location to present my first collection. Since in Milan there wasn’t really a place for a new and yet unknown brand, I was talking to Sylvie who was in the same situation with her jewel brand Bambi eats frog. We actually found out how many people were in our situation, not finding any platform for their productions.  So we decided to do our own platform for emerging artists.

What kind of artist you give space to?

Any kind of emerging artists of fashion and design, who realize their products with passion. We’re doing continuous research to find new brands and projects, and it’s amazing how many beautiful brands of emerging artists are out there. For any single event we select attentively the work of creative people. And now that the project got known, artists contact us, to be part of the Tree House.

What kind of products do you offer?

Unique objects from clothes, jewels, bags, swimwear but also furniture, lamps, ceramics, mirrors and photography. The mix can vary as it depends on the new brands we find for each event. All this is accompanied with artistic live performances, bio-food and dj sets, inserted in a showroom full of tree leaves.

Describe the crew you’re working with.

The crew is Chiara and Sylvie. Since we are two on constructing this tree house each time, it’s difficult to say which roles we have, lots of things to do. For sure Chiara is the creative director whilst Sylvie is the head of communication. The rest is made with love, together, and thanks to all the people, djs, friends, photographers, editors, stylists, who believe in this project and help us to realize it. Every event there are people who ask if they contribute somehow to the exhibition, a fact that makes us really happy and shows us that we are on the right way.

Our friends from the Multiplayer Studio in Milan are doing the illustrations for flyers and website. Giandisco is head of music, doing selection of djs and bands. Plus then so many more treelovers, friends who help us before and during the event without them the event would never be possible.

What does the “house on the tree” represent in your minds?

A tree house is a magic place where we can share our passions, ideas and dreams. A place of our childhood, that we left by growing up, but it’s never worth to leave it. Let’s stay young in our minds, keep our dreams, live our passions!

How did the project evolve in these years?

The first edition took place in a private loft with 12 designers. It was a trial, we had not really an idea how Milanese people would react, if they would appreciate a project of emerging artists. Since it was successful, we chose to go on in a more professional way, and did second edition in the 247 showroom with 25 designers. It was fantastic to see how many people appreciated the project, from young to old, how many requests of collaborations we got, and so we kept on doing it, twice a year, always with a varying selection of artists and djs.

What do we have to expect from the next Chérie’s Tree house?

In the winter edition of CTH, there will be many more amazing products of new great designers, also a new vintage proposal, which will be proposed in a selection of themes and timeframes. There will be also a performance of Chiara Cappellini who will paint a huge tree house on PVC for both days. The painting will then be cut and transformed into products, that will be shown at the summer edition. All this in a showroom full of leaves, music and – hot wine punch. There will be also a new official tree house soundtrack, mixed by Giandisco, the CD is available for the first 100 people who come to the event, and can then be downloaded on our website. New is also the official tree house video, we have a new photographer who does analogic pics, we have a great dj set and finally also girls playing records. And yes, finally we have our website redone!

What will be your next step for the Tree House?

One aim is to grow, to augment the number of editions and always the quality. We are in contact with other cities like Rome, Turin, Alassio to expand the project there. We are enchanted by the nice hippie idea to pack all the artists, wood and leaves in a bus and reopen the house on the seaside.

The other aim is for sure to find a sponsor, since till now everything is autofinanced.

You should come to Chérie’s Tree House because… end this sentence

Mmh! So many reasons! … to discover unique objects, the work of amazing artists, to jump into a colored place full of passion! A tree house in the middle of a city. And: to dance under Tree’s leafs slurping hot wine punch.

[vodpod id=ExternalVideo.900477&w=600&h=496&fv=]

Text by Elisa Lusso | video & editing by Sara Scappin and Elisa Lusso

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24/11/2009

I Hope I Think I Know

Fully 2dm signature plus two young unique faces seen on Models.com!

Pink hair for Paul Boche, pink details for Matvey Lykov in these shots by Vicky Trombetta styled by
John Colver
, featured on BMM Magazine.

By Elisa Lusso | image courtesy of 2DM by Vicky Trombetta for BMM Magazine

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23/11/2009

Forever Pop

Still young at 54, an extra-ordinary Donatella Versace flashes on issue 21 of Pop, shot by Roger Deckker.

By Elisa Lusso | images courtesy of 2DM by Roger Deckker for POP

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19/11/2009

Yvette Kookt- Food Styling & Home Cooking

How food can be fashionable? Yvette Van Boven knows the answer. She’s a food stylist, recipe writer and illustrator, between Amsterdam and Paris. She has her own way of showing recipes, looking like totally well-done scribbles, which are fully represented by words and images, all in a quite familiar way. She also illustrates books among setting up food products in a nice way on the set for shootings. In this tasty scenario, Yvette also runs a restaurant together with his cousin Joris, that she defines as a “very busy, breakfast-& lunch restaurant in Amsterdam, called: Aan de Amstel”, which can be rent for private dinner parties or small celebrations. Enjoy your meal!

Text by Elisa Lusso | images courtesy of  Yvette Van Boven

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11/11/2009

2DM + SM = Plus+ Design

POSTER_PLUS+DESIGN_2DMCONSULTING

Show the object and how to use it: from this point 2DM with SM, under the commission of Plus+Design, started thinking about the development of a new strategy to communicate and promote Cubo’s utility.
Cubo is a sack-armchair that was born in the mind of Francesca Madera from TakeIdea, here brilliantly represented by an illustration from Marco Klefisch. On one side of the poster there is the object, on the other side, the instructions for the correct use of it.

PLUS+_PIEGHEVOLE

By Elisa Lusso | image courtesy of 2DM | illustration by Marco Klefisch

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09/11/2009

Guest Interview n° 10: Maxime Buechi

Creator, Editor in Chief, Creative Director and Fashion Editor of Sang Bleu, this swiss master mind from Lousanne is definitely the core of the magazine, which he likes to call his “baby”. This time you’re not gonna hear more about his bright professional skills, but even better, we’re getting deep in his prismatic Weltanschauung. Hip Hop in the headphones, he’s been a skater for more than 20 years and he still regularly takes it to go from one place to another.

Maxime_SANGBLEU_B

Maxime in three words.
Libra ascending Leo.

What do you think is necessary for you more than everything?
Silence

The object and the activity you like most
Matters more than objects: cold air, polished metal, wet wood, patent leather, vinyl.
Activities: loving

What is your biggest wonder?
How to name my kids.

What are you scared of?
Treason

The best present you’ve ever done
I am bad at presents, but I wish I wasn’t

What do you consider as your most deserved conquest?
Respect.

What else do you aim to obtain?
Influence

Is there any childish side in your everyday being and behavoiur?
I am a kid with the means of an adult. Everything is childish about me.

In which city are you livng now?
In Lausanne, Switzerland

What kind of house have you got?
I don’t have any. I am staying at my mom’s like a “vitellone” you know! I dont have money even for a shared flat. But one day I will have a mention in the woods.

Are you a good cooker or you prefer to deal only with concepts?
I love cooking, it is a very zen activity. When I lived in london, I used to take trips to remote markets and obscure little shops to get the goods.  But for me it goes hand in hand with having a house which is not the case for now. Unfortunately.

The thing you can cook better
I like to create complicated salads with roested seeds, spiced tofu and fancy dressings. I would probably add a “ratatouille” or a “caponata” and some bulgur to it!

What time do you usually go to bed?
2am

Which is you first tattoo? How old were you at that time?
My backpiece. We started it when I was 24, finished it when I was 26

Which is your next tattoo?
I am starting my chest and legs next year.

You’re also proceeding your tattoo artist career: a tattoo you desire to make
It is only the very beginning of my tattooing. What I desire now is just to be able to concentrate on what I prefer doing, and not waste time on designs I dont feel comfortable with.

What’s your relationship with flesh and body modification?
Is is all about the direct experience or the evocation of a sensual experience. I perceive it as new areas to explore, not really as cultures with codes and rules.

Are you curious about esoterism?
Not as such. I am curious about humanity, nature and sense. Esoterism is the way some people express these preoccupations. I am more interested in science and philiosophy.

Could you only explain your feelings for philosophy and your favourite philosopher?
I feel very close to People like Peirce, Kant or, in a different style, Foucault, Marx or Freud. The two former for their reflection on nature and the essence of the functioning of the universe as the human mind perceives it. The 3 latter for their reflection on society and the way human people and societies function. I also liked Thoreau for his “plaidoyer” on nature.

Your “philosophycal bible text” (a book that you keep as a reference for your thoughts or activities)
Wow. Heavy one. I don’t have any, actually. I could say “The Capital”, but that’d just be provocation.

How can you feel art being part of your everyday life? In which ways it shows?
Everything I do, I do it because i thing it belongs to a “bigger picture” that I am slowly painting. And I am trying to make it as beautiful and strong as possible. Art is this very desire, it is there, everywhere, always. That’s for Art in the “absolute” sense, but if you meant “contemporary art” or “artistic products”, then, I guess, they intervene in my life punctually, then I need to “process” or digest them, and see how they fit in my world or modify, challenge it.

Your definition of sublime

What one’re ready to suffer for.

Last film you’ve watched, last cd you’ve bought and the book you’re reading now
Das weisse band.
I dont really buy cds anymore. I download everyhing. Last good surprise is the new Gostface Killah album. Oh actually, I buy oldies that are hard to find as mp3′s. I recently bought Eazy-duz-it.
Also I recently dug out my 2000 something vinyls, and I am now enjoying listening to them again before I throw them away or something.
I am reading like 10 books at the same time and then forget them! Last one is Michel foucault “Surveiller et Punir”.

What will save the world?
The world doesnt need to be saved anymore. The end has already happened!

Maxime_SANGBLEU_A

Text and images by Elisa Lusso

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09/11/2009

20 YEARS OF PROGRESS, AS SEEN BY LEPAGE

Association Nationale pour le Développement des Arts de la Mode, better known as ANDAM, has joined forces with celebrated photographer Jean-François Lepage to create Modernes – 20 Ans de Mode Contemporaine, a tome celebrating 20 years of cutting-edge fashion (and ANDAM’s catalysation of it).

A comprehensive retrospective of the organization dedicated to supporting international design talent since 1989, Lepage has been given free reign to interpret the visions of the featured designers in his own way. In collaboration with the Art Director Pierre-François Letué, with text by fashion historian Florence Müller, it’s part-document, part-artwork – a hybrid celebration partly due to the multi-layered approach of the photographer, where aesthetics have several interpretations in his subversive approach to beauty. Impossibly romantic post-grunge icon Hannelore Knuts is seen here.

Founded by Nathalie Dufour, ANDAM was conceived from the very beginning as a structure for assisting promising young designers on the French and international fashion scene. Its founding marked an important milestone in recognizing the importance of the new and next within the hierarchical, antique conventions of fashion world. Put simply sizeable money was (and still is) given to those with designs on life who can make good use of it.

With Martin Margiela the first winner – just a year after founding his Maison blanc in 1989 – Dufour has been more than vindicated, her bold dream becoming revered reality with a role call of today’s most innovative stylists passing through as prizewinners. These names of course including Viktor & Rolf, Bernhard Willhelm and Gareth Pugh.



JFLepage_DEANMAYODAVIES
Ph: Jean Francois Lepage
Styling: Darryl Rodrigues

JFLepage_DEANMAYODAVIES_B

By Dean Mayo Davies | images courtesy of Jean Francois Lepage

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