30/03/2010

SPRING SUMMER 2010 – METAL MAGAZINE

“This year has just started and some recent events are proving what professionals were expecting to happen. -2010 is a year of changes-, a brand new generation of designers is emerging with authentic discourses, and at the same time concepts and shapes are transforming, remembering what happened around nineties when a group of designers changed the fashion history course….”

This is how the latest issue of  Metal Magazine starts a special review for this spring-summer with the collaboration of two important personalities in the Parisian fashion scene, Kuki de Salvertes from Totem Agency and Samuel Drira from Encens Magazine, both giving their personal vision about whats going on and what is supposed to happen.
This review is structured by 2 interviews accompanied by 2 shots with a styling of each one, in the case of Kuki de Salvertes with Driu & Tiago as photographers shooting menswear in a decadent dandy aesthetic, and in the case of Samuel Drira in his recognizable line with the collaboration of Olivier Jacquet for womenswear.

If you want to read the complete interviews and see the amazing pictures don’t hesitate to get the latest issue of Metal magazine asap.

Text by Dodi Espinosa – Images courtesy of Driu & Tiago and Olivier Jacquet.

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29/03/2010

ILoveFake Magazine by Jolijn Snijders

Forever young. A couple of words that Jolijn Snijders loves to use to describe herself and her addiction to celebrate youthfulness.

She’s a new insight from 2DM, but among photography, she’s Editor in Chief and Creative Director of a lovely magazine named IloveFake, a bimonthly online publication about fashion, art and style. Formerly contributing for Mexico City Baby Baby Baby‘s defiant pages, she must have learned the lesson on how fun would have been working with pretty young boys and girls, who sometimes turn into friends or sometimes don’t, but still soaked in a pretty punk rock attitude.


Every issue is given a particular theme – this time is “Grunge”- developed by established & upcoming artists and photographers pooled together by likely mindsets, who are not afraid of experimenting and dare to break rules. We force through the choice of the models Jolijn picks up for her shootings, and we do wanna celebrate the youth with you!


By Elisa Lusso - Images courtesy of ILoveFake

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26/03/2010

Maison Martin Margiela – (untitled) – by L’ Oreal

On the occasion of the launch to retailers of the first fragrance from Maison Martin Margiela, (untitled), we had an interesting conversation with Federica Pria, Marketing Director Perfumes Division, Luxury Products, @ L’Oreal Italy.

Birth, evolution and synthesis of the partenership between Maison Martin Margiela and L’Oreal.
In 2008 Maison Martin Margiela put in the hands of L’Oreal the creation of a perfume line. From its first conception, the fragrance should break with the codes of the traditional perfumery schemes, meanwhile being able to interpret the basic feautures of the Maison.
(untitled) has been lauched in spring 2010, the first fragrance from Maison Martin Margiela. In a minimalistic design bottle, it’s a twisting and a re-formulation of green scents from the seventies.

(untitled) in 3 words: a definition
Essential, other, new luxury.
Essential: the perfume stands by itself.
Other: different, out of the schemes, in opposition to fashion and trends.
New luxury: luxury stands in the simplicity of the hand-crafted handling, broad refinement without ostentation.

What do different shades of white stand for? Is it a reference to time passing by and antique things?
The colour white preserves the traces of time passing by and it expresses unity, purity and honesty. The (untitled) bottle seems to be bathed in white paint, which of course, is a quotation from the Maison’s artistic identity.

Which was the purpose behind the decision to call the perfume (untitled)?
(untitled) is the name. It’s immediate, pragmatic and different. It’s deliberately lacking any references to its creator nor inspirational concept, it leaves the individual who’s wearing it the chance to enact the fragrance.

What is “absence” for Maison Martin Margiela?
It’s not really about a real absence, it concerns more letting creatives ideas talk themselves without interferences.
Quite like a claimed anonimity, which we can find also in the clothing line, where printed name are banished to contrast the logo oppression.

What do the green notes represent in this fragrance?
The green track explored by (untitled) is natural and simple. It’s suddenly surprising and intriguing. The Maison’s attitude for reinterpretaion comes back in this perfume, which gives another birth to an old and quite forgotten olfactory vocabulary. A fresh, prickly and destabilizing dizziness.
Galbanum, a rare and noble raw material, feeds from bitterness of the green box, from the vibration of lentisc and incense, from the velvet of bitter orange. This sensation of plants collected-after-the-rain is though contrasted by jasmine and cedar absorbed by musks, for a perturbing sensuality.

What the bottle and the package stand for?
The bottle is delicate, essential and simple. It takes inspirations from old phials used to contain raw material during the end of 1800. The white paint instead, is its signature. The external packaging is still white, simple, elegant and discrete.

The baudruchage.
Baudruchage is an old tecnique to seal up the bottles with silk yarns.
(untitled) is a tribute to hand-craft manufacturing, but also a quotation of the cotton yarn used to sew the labels on clothes. As the consumer could cut 4 sewn points to remove the label, likewise you need to cut the silk to use the perfume.

Symbology and numerology: number 3
3 is the number used to title the line committed to collect the Maison Martin Margiela olfactory universe. It’s born from the maison’s codes fan, which goes from 0 to 23 and identifies each line.

What is pragmatism for MMM?
Pragmatism is simplicity, naturalness, essentiality in how it expresses a refined luxury without posturing. A new luxury.

Interview and translation by Elisa Lusso – pictures by Tag Christof

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24/03/2010

Henrik Vibskov – Berlin

Henrik Vibskov stopped by Berlin for a quick visit this past Sunday, where he presented his latest book of graphic works, entitled ‘The Panda People and Other Works.’

The designer-turned-musician-turned-artist gave a short talk and Q&A session in Mitte’s Pool Gallery, where the original prints are currently exhibiting. Vibskov uses archaic decidedly processes when creating his prints, using wood and stone engravings, complementing the Japanese Binding technique with which the book is held together.

The prints are identifiable as belonging to Vibskov’s mad world, but as he confirmed, do not necessarily correlate with his fashion endeavours. Simplistic, graphic, and almost childish, the pieces are medium specific, mostly inconceivable as being printed on textile.

Text & images by Dario Natale

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23/03/2010

Muse Magazine – VIVA ITALIA

2DM‘s photographer Roger Deckker and stylist Tamara Cincik teamed up in the spring issue of Muse for an editorial to accompany a revealing interview by Chiara Zannini of the one and only Donnatella Versace–all under the meticulous creative direction of Donnatella herself. The interview draws a personal portrait of her role as heiress to the throne of Versace and of the evolution of the house under her direction. Deckker and Cincik score with a crystal-clear homage to past, present and future Versace, with model Georgina bathed in a glamorous mix of vintage Versace and pieces from its S/S 2010 collection.

By Tag Christof – images by Roger Deckker, courtesy of Muse Magazine

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22/03/2010

Channel the energy of Two Shamans

Supernatural. Transcendent. Ethereal. Channel the energy of the shaman. Take in the sound.

Opening:
March, the 22th, from 6pm to 10 pm.
Via Tortona 31, 20144 Milano
www.wonder-room.it

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By Tag Christof – Music by Blondie eq Stupid

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20/03/2010

What Happened? 80*81 – 032c Workshop

Glossing over main historical events to reconstruct their bonds to the present is a perverse and lengthy method of investigation. Still, it must have been a kind of obsession for Georg Diez, always referring in his books to quantities of goings-on to base his considerations on its consequences for the present.
This time Diez, together with Christopher Roth gave birth to 80*81, a retro-visionary research in collaboration with many artists, astrologists, philosophers, psychologists, writers, filmakers and actors.

What Happened?”, the question-title, states the historical point of view from which each of these disciplines pervades the others in changing our everyday reality, emotions, knowledge, views and reactions.
In 1980, Ronald Reagan was elected, Pope John Paul II met Lech Walesa, Andy Warhol dined with William S. Burroughs at the Chelsea Hotel, and John Galliano was a Blitz Kid. And what happened in 1981, when Ayatollah Khomeini released the hostages, and AIDS surfaced? All these matters affected our culture by becoming ingrained in the past, present and future.
The 11 volumes of The 80*81 Book Collection serve as both guide and almanac. Each volume zooms through interviews, original documents, photos and a timeline to arrive at New Year’s Eve 1980.
In honor of Georg Diez and Christoph Roth, Société de 032c bar celebrates 80*81 with sounds, videos and documents this Saturday 20th March @ 032c Workshop, Brunnenstr. 9, 10119 Berlin.

By Elisa Lusso

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19/03/2010

WONDER ROOM 3: Two Shamans

The supernatural always sees a spike in interest in uncertain times, and there has been no time in recent memory as uncertain as the present. Although humanity has reached a pinnacle of technology, in which almost every facet of our existence depends in some capacity on electricity and circuit boards, countless pressing questions remain unanswered. Our minds remain restless, as we are constantly made aware of our incapability to achieve omnipotence.

Are we as a society simply growing weary of the never ending march of technology? Or is it, rather, that we have a primal, indefatigable urge to somehow know beyond–and circumvent–the clinical and unyielding eye of science? In any case, the long-ignored call for more human translations of technology is finally being being met with transcendance instead of resistance. And even the ethereal and superhuman are no longer off the radar.

The figure of the illustrious and sage shaman, central to a metaphysical and holistic understanding of existence, has been depended on for eons for answers to exactly the questions science and technology have never been able to tackle. Once again, the shaman lives – this time through technology, and in the process soundly trounces the venerable Magic 8 Ball at its own game, as a dovetailing of human mysticism and convenience. A remote oracle, if you will. And as the cherry on the sundae, this all-knowing presence even comes without the pesky caveats of religion. Wink wink.

Wonder Room – join us once again from 16:00 – 22:00 Monday evening , the 22nd of March Via Tortona 31 for the unveiling of Two Shamans, a trip through mysticism and an exhibition of sculpture by artist Salvatore Cuschera. Curated by Tankboys.

By Tag Christof – invitation conceived by TankBoys

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18/03/2010

Gavin Watson / 110

110 is the name of the camera used for these early shots from the 70s by Gavin Watson, now collected at London Gallery West, from tonight until May 9th.

By Elisa Lusso

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17/03/2010

Flair Magazine & Vittoria Cerciello

2DM‘s Vittoria Cerciello styled alongside photographer Ruvan for the February issue of Flair. The resulting  lush editorial, entitled Festa is all sex appeal, gorgeous texture and flash, and dripping with pieces by Sonia Rykiel, Givenchy, Lanvin, and Sergio Zambon. Yum. 

By Kenneth Gordon – images courtesy of Flair Magazine

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